Shane Henry and Maggie McClure, a husband and wife duo, first started out without even having a band name. They wanted a name with boldness, adventure, and big dreams. Shane finally came up with a name and logo, which came to him in his dreams.

As it’s kind of hard to become a musical star in Oklahoma, the couple headed for Los Angeles. Now they have a couple of albums released. Their music is full of gritty blues-rock riffs, mesmerizing vocal harmonies, driving pop-rock tunes, heartfelt singer-songwriter ballads, delicious guitar tones, and dazzling solos. They’re really good. I actually enjoyed listening to them from the wings.

The band included Ryan Miller on Bass https://www.instagram.com/slapmillerokc/

And Jordan Oliver, on the drums. https://www.facebook.com/SoulBubble

Everyone in the band was super easy to work with and as friendly as could be.

We were all impressed with Shane’s guitar pedal board and the great sounds which he could produce with it. He explained that he and his father in law had a business building guitar pedals, Westerlund Audio. Shane described the Westerlund ONE pedal as his desert island pedal and the Swiss Army knife of pedals. For more information visit www.westerlundaudio.com.

Check their website at https://www.imaginariesband.com/ for more information about this great band, their history, touring schedule and merch!

Some more band links:

https://www.instagram.com/imaginariesband/?hl=en

https://www.facebook.com/imaginariesband

https://www.youtube.com/theimaginaries

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Next up was British Rock Royalty with Brody Dolyniuk. This is only one of Brody’s many shows and includes the music of The Who, Pink Floyd, David Bowie, Queen and Led Zeppelin. Brody has been at our venue many times, and his production value is high as Brody cares a lot about every little aspect of the show and is involved in everything. He is a perfectionist. There’s always a good light and laser show. Brody and his band are great musicians, and they play the songs of all these bands better than anyone else you’re likely to see in concert other than the actual bands themselves. So if you see his name on an advertisement anywhere- go see the show. You are guaranteed not to be disappointed.

The last show of the weekend was a matinee with Frankie Avalon. Frankie is another performer who has visited many times. He is a great guy. His band includes two of his sons, Jr. who plays drums and Tony who this time played bass, but also sometimes plays guitar. The sound check went late due to the band members getting stuck in bad traffic here in Los Angeles. Frankie was not even able to check with the band, and then, only sound checked alone fifteen minutes before the doors opened! But Frankie was easy on us as usual and only took about three minutes to get done.

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With a swinging rhythm section (Bass and Drums), and full complement of a horn section, and two fun frontmen. (Plus a great guitar player and keyboardist) And if that’s not enough there’s the added bonus of beat box to liven things up! If you want to see a great energetic and highly entertaining band, Phat Cat Swinger is one for you. They are off to do some shows in Las Vegas next, where I’m sure they will be greeted with enthusiasm.

After their set, and a quick four minute change over of the stage Jay Leno came out without announcement and made the crowd laugh until they cried. He has been here a few times, and I wrote about him in my book, Stagehand: A Backstage Pass to my Life Stories.

Jay is always friendly and happy. When he arrived he came to our crew break room to say hello to everyone. Afterwards I presented him with a copy of my book. When I stopped by his dressing room he was skimming through the pages. He commented on the chapter about Art Garfunkel. Apparently Art is well known as the guy I wrote about in the first part of the chapter about him. I’m glad to have yet another chance to work with Jay. He is one of the most down to earth entertainers who I know.

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But today I want to talk about the heart of what makes a theater: its crew—and specifically, some of the new young people.

If you’ve read my book, you may remember a chapter about a new kid I called Ducky. That was eight years ago—and wow, has he become an important part of our organization since then. Right now, he is technically my supervisor. Crazy.

As amazing as his rise has been—from a new person with almost no knowledge of the business to where he is today—it isn’t unique, just highly unusual.

We now have a new batch of “kids” (they’re really in their twenties, but they’re kids to me). Some are outstanding.

Let’s talk about two of them.

First, there’s Jason.

Jason is a bright young guy who wants to work as an audio engineer, and as you can see, he’s already moving toward that goal. As it turns out, he’s also one of the more gifted new hires—although he doesn’t know it, even if you were to tell him.

I’ve also taught him how to run our video rig, which he learned faster than anyone else I’ve trained. He’ll need to work on his confidence, but he absolutely has the potential to thrive in this line of work.

Right now, my top pick to skyrocket to success is a young woman named Sarah. She is, without question, the brightest, most organized, and most driven new technician I’ve seen since Ducky showed up on our doorstep.

I keep thinking she’s been here longer, but she says it’s only been about nine months.

She excels at nearly every task we give her—and then some. Ducky had even started teaching her the art of mixing monitors until our Executive Director put the kibosh on that effort. Which brings me to the “troubles” section of this post.

One of the reasons we need to teach a “new kid” how to run the monitor board— one of the most technical and responsible jobs in a venue, is because we no longer have anyone doing that job in-house. We are currently relying on contractors.

Our monitor engineer/audio assistant, Kerry, stepped down from mixing. He simply didn’t need the stress anymore. The place burned him out. After mixing hundreds—literally hundreds, possibly thousands—of shows, along with many other duties, he’d had enough. I empathize completely, as I stepped away from mixing myself years ago. Not gonna mix again.

We were all hoping Ducky would step into that role, since he had been mixing frequently as the second monitor engineer and had become extremely good at it.

Good luck keeping track of this story!

Last year my ex-roomie Jack retired. He was our front of house engineer. (Main sound guy for the civilians out there.)  He was replaced by everyone’s first choice: Jon, an incredibly talented and knowledgeable engineer.

Then my longtime friend, business partner, and other ex-roommate Tom—our Operations Manager and Technical Director—also retired. After almost a year, he was finally replaced by Steve, one of our smartest and best technicians, who had been working in the city’s IT department. (Steve had also been a monitor engineer here before leaving to IT.) He was fired without cause after only a few months.

Then Paula—our Stage Crew Supervisor and my favorite boss ever (and everyone else’s too)—was promoted to the front office. A big step up in pay and prestige. While this was a huge loss for the backstage crew, we were genuinely happy for her. (The smart move would have been to keep her backstage and pay her executive wages.)

After a loooooong time, Paula was replaced by Brenda, a valued tech, especially on the lighting crew. Brenda lasted only a few months before being let go in the middle of a workday.

Meanwhile, Rogan—our Master Carpenter/Rigger and union president—finally retired after years of talking about it. His assistant, Alma, had already left more than a year earlier and was never replaced. Her position remains open.

Ducky, realizing the audio assistant job was unlikely to open anytime soon (based on the painfully long delays in filling other positions), applied for assistant to the Operations Coordinator. Both Ducky and a wonderful, talented young technician named Tori were hired. Everyone was happy—both are incredible people and excellent techs.

Then our Operations Coordinator, James, decided he’d had enough of the bad management above him and quit. His job was integral to our operation, especially since he had already been covering the duties of the Stage Crew Supervisor, including scheduling the crew.

Which meant Ducky and Tori were suddenly doing all the work of the Operations Coordinator, the Stage Crew Supervisor, and their assistants.

So now they’re my supervisors.

Circling back to Sarah: our Executive Director has now decided that since Ducky holds a coordinator position, he can’t touch the soundboard (because union blah blah blah). Which means he can’t teach Sarah—or Jason—how to run monitors.

P.S. Ducky is also on the union board. Bet you didn’t see that coming.

Simple, right?

The Titanic has hit the iceberg, and our Executive Director is trying to turn the ship around for another pass.

What’s holding this place together now is a handful of longtime crew members and the courage and dedication of a few young technicians who have stepped up to enormous challenges under chaotic and deeply flawed management.

So kudos to the “kids.”

My hope is to work another couple of years, helping these young crew members carry this place forward for decades to come and live the dream—just as my friends and I did for so many years.

Fingers crossed.

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I think when I retire, it will be safe to say that this will be the act with which I have worked longer and more days in my career. 

I’ll leave you now with a short video which I shot backstage as the mariachi bands played in the green room together after they arrived and before soundcheck. And some photos from tonight and the past.

Above mariachi bands Sol de Mexico and Mariachi Reyna De Los Angeles rehearse backstage.

And below,

And a memory from the past. One night working the MerryAchi Christmas show I had to clear some mics and cable for the dancers, but they went on too fast! I call this video The Mariachi Stomp. 

That guy getting stomped on by the dancers would be me. I had to run out and clear a cable and mic stand! Don’t get in their way!

Photos and video from past shows below.

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Guitarist Terry Sylvester of The Hollies told me the story of how it accidentally became their biggest hit during sound check tonight.

“A DJ in Germany was playing the A side of the record we recorded, it was late and he was feeling lazy- so instead of getting up out of his chair to grab the next record to play, he just flipped over the record on the turntable and played its B side. And the song on the B side was “Long Cool Woman.””

“Long Cool Woman” wasn’t like our other songs, it didn’t have the three part harmonies we were known for. We figured that our fans wouldn’t be interested in it. So we used it as a B side song, nobody expected anyone to pay any attention to it at all. But as soon as that first guitar part started playing, the red lights on the DJ’s telephone switchboard started lighting up! People started calling in like crazy, and the next thing you know we were on a world tour with a number one hit song.”

Also, tonight The Lovin’ Spoonful played. Rob Bonfiglio, the guitar player (also, Carnie Wilson’s husband), has been here many times with various bands. Rob last played here with Al Jardine and the Pet Shop Band, who I wrote about in a previous post.

I was glad to get to see Carnie, who I missed at the Al Jardine show because I was so busy. But she has always been a sweet person who is always friendly to me. So I quickly ran backstage to say hello, and had a short chat before going back to work on stage.

Talking to Jeff Allen Ross, the keyboard player (and vocalist) of the Hollies and Lovin’ Spoonful, we found out that we are practically neighbors. So we talked, naturally, about our shared home turf.

Closing the evening was Gary Lewis and the Playboys.

So all in all a good day on the stage. Filled with interesting conversations and talented musicians. Pretty much why I decided to dedicate most of my life to this business in the first place.

Photos and video below.

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He was sitting stage left in the wings struggling to put his feet up on a rolling cart, so I offered to get him an apple box, to which he declined. But this started a conversation. I asked if he still lived up in central California. He lives in the Big Sur area. I told him that I had taken a drive up highway 1 many years ago before the road closed, but the next time I took that drive I discovered the road was washed out when I came to it’s end and had to drive a small road back to the 101. He reminded me that it was Naciamento road, which joins the 101 at fort Hunter Liggett. Exactly as I then remembered. He said that although it’s not to bad if you’re on vacation – as the drive is still nice, but as a resident, the two plus hours drive is tough for residents to get into the city in both directions, north and south. “It’s not always as easy as one thinks living in paradise,” he said. I told him as I was keeping an eye on real estate on the big island in Hawaii, and I always thought about that when looking for houses because of floods and lava. One must choose wisely. And, also the story of when I lived in the hills here in LA that a tree crushed my house and my car. I lost most everything. Paradise at work.We talked about travel, as I want to go to Thailand in a couple of years when I retire. I was surprised that he had never been there on any tours. He said, ” I made it as far as Singapore, but never Thailand.” So I said, ” I guess you still have things to do and places to visit in your life!”We talked about New Zealand and Australia, where he said they had a lot of fans, Australia in particular, and he loved to visit. But then I needed to go back to work, as there was a small audio problem on stage, and he had to go back out to play for sound check. I had received a graphic from the company which they wanted to display on screen the day before the show, but it was square and didn’t fill the 16×9 screen so I did a bit of work to fill it out for them. I displayed it for Al on the screen, and he liked it, so we decided to use it for the show. I’m glad about that, and will give it to them to take on the road. I always love when I get a chance to talk with the performers, especially when I have worked with them over the years, like Al. Also “Weird Al” Yankovic showed up at the end of the evening and I got to meet him. which was cool! So another good evening at work.

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The load-in went smoothly. The band and crew arrived in a bus with a large trailer. They are traveling light for this tour as they have a series of fly days. I believe they were recently in Europe and in the morning they will fly to Hawaii. So they are traveling with limited gear, making everyone’s day easy. The crew, including Johnny, their monitor engineer, with whom I worked with most has been professional and super easy going, making for a good day.

I took a few photos from stage, so without further adieu, here they are.

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I always enjoy working with Lance Burton. It was his sixth time visiting the Cerritos Canter for the Performing Arts. Last time he came I asked him if he had signed our balls .(Ping Pong Balls that is!) He couldn’t remember, so we went in the office to check. He did, many years ago– two balls in fact. But he really wanted to see the collection anyways. He said he had heard about it but had never seen it. So I took him to look at the collection. The technical staff only has performers WE like sign the ping pong balls. All performers sign a tile for the lobby.

Lance was fascinated by the many famous people we have collected over the years, he took a lot of photos of the whole collection and especially people he knew or liked. We swapped stories about some of the performers. He especially was moved when he saw Louie Anderson had signed a ball, as they were good friends. I told him the story about when Louie came to visit. 

Louie was such a nice guy. Everybody loved him. He took the time to meet everyone, including the ushers, who he did a little comedy routine for before the doors opened. After the show he asked me if I would be interested in making some video content for a comedy/magic show that he was planning to do with a friend. I gave him my number and was looking forward to working with him. But he unfortunately passed away soon after and the tour didn’t happen.

That’s when Lance told me that he was the magician who was going to go on tour with Louie! What a small world.

Lance Burton, his crew and the friends who he tours with are all some of the most down to earth people who have ever come to work on our stage. All super friendly. He certainly does not have to tour to make money after playing in Vegas for thirty years, but him and his friends just love what they do, so they keep going out on the road.

I gave Lance a copy of my book, Stagehand: A Backstage Pass to my Life Stories, and was hoping to get a photo with him and the book while he was in his magician costume, but he gets in and out of costume only seconds before going on stage and out of it as soon as he leaves the stage! So the timing was bad and I didn’t want him to have to pose in his street clothes– oh well. Either way I am glad he will read my book! At the end of the night as we finished packing the trailer, the crew all took photos with me– but on their phones, I didn’t get any!

On to Robert Cray. I don’t have a lot to say about him. He, his band and his crew are all wonderful and hassle free to work with. The day was easy and fun. Their music is awesome! If you don’t know who he is, just know that he is one of the most accomplished blues guitarist in the world. And his band is great. Go Google his name and take a listen to some of his music, I guarantee that you will not be disappointed. I’ll leave you with some photos from throughout the day.

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Their website: https://www.gtlorocks.com/

Tonight we will be presenting the band UB40, but as I am only working the load-in I will not be writing about the presentation unless something unusual happens before I leave.

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